"Picking holes in each other's appearance. You're looking splendid. Sister souls. Showing their teeth at one another. How many have you left? Wouldn't lend each other a pinch of salt." (U13.817)
"Besides they say if the flower withers she wears she's a flirt. All are. Daresay she felt 1. When you feel like that you often meet what you feel. Liked me or what? Dress they look at. Always know a fellow courting: collars and cuffs." (U13.827)
"Well cocks and lions do the same and stags. Same time might prefer a tie undone or something. Trousers? Suppose I when I was? No. Gently does it. Dislike rough and tumble. Kiss in the dark and never tell." (U13.831)
"Saw something in me. Wonder what. Sooner have me as I am than some poet chap with bearsgrease plastery hair, lovelock over his dexter optic." (U13.833)
"Didn't let her see me in profile. Still, you never know. Pretty girls and ugly men marrying. Beauty and the beast. Besides I can't be so if Molly." (U13.836)
"Took off her hat to show her hair. Wide brim bought to hide her face, meeting someone might know her, bend down or carry a bunch of flowers to smell. Hair strong in rut. Ten bob I got for Molly's combings when we were on the rocks in Holles street. Why not?" (U13.838)
"Suppose he gave her money. Why not? All a prejudice. She's worth ten, fifteen, more, a pound. What? I think so. All that for nothing. Bold hand: Mrs Marion. Did I forget to write address on that letter like the postcard I sent to Flynn? And the day I went to Drimmie's without a necktie. Wrangle with Molly it was put me off. No, I remember. Richie Goulding. He's another. Weighs on his mind." (U13.841)
"Funny my watch stopped at half past four. Dust. Shark liver oil they use to clean. Could do it myself. Save. Was that just when he, she?
O, he did. Into her. She did. Done.
Ah!
Mr Bloom with careful hand recomposed his wet shirt. O Lord, that little limping devil. Begins to feel cold and clammy. Aftereffect not pleasant. Still you have to get rid of it someway." (U13.846)
O, he did. Into her. She did. Done.
Ah!
Mr Bloom with careful hand recomposed his wet shirt. O Lord, that little limping devil. Begins to feel cold and clammy. Aftereffect not pleasant. Still you have to get rid of it someway." (U13.846)
"They don't care. Complimented perhaps. Go home to nicey bread and milky and say night prayers with the kiddies. Well, aren't they? See her as she is spoil all." (U13.853)
"Amours of actresses. Nell Gwynn," (U13.856)
[*Ed. Eleanor 'Nell' Gwynn (1650 - 1687), was one of the earliest English actresses to receive prominent recognition, and a long-time mistress of King Charles II. She was called "pretty, witty Nell" by Samuel Pepys. She has entered history as a living embodiment of the spirit of Restoration England, and also as a folk heroine who lived a Cinderella rags-to-royalty tale. She gave 2 sons to the King: Charles Beauclerk (b. 1670) and James Beauclerk (b. 1671). Nell was the only one of Charles II's mistresses to be genuinely popular with the English public.]
[*Ed. Eleanor 'Nell' Gwynn (1650 - 1687), was one of the earliest English actresses to receive prominent recognition, and a long-time mistress of King Charles II. She was called "pretty, witty Nell" by Samuel Pepys. She has entered history as a living embodiment of the spirit of Restoration England, and also as a folk heroine who lived a Cinderella rags-to-royalty tale. She gave 2 sons to the King: Charles Beauclerk (b. 1670) and James Beauclerk (b. 1671). Nell was the only one of Charles II's mistresses to be genuinely popular with the English public.]
[*Ed. American playwright Paul Kester (1870 - 1933) wrote 'Sweet Nell of Old Drury,' a comedy in 4 acts popular on the Edwardian stage. This PC from the 1900s shows Julia Neilson as Nell and Malcolm Cherry as Charles II.]